Subject to Fiction: Women Teachers' Life History Narratives and the Cultural Politics of ResistanceSituated within current feminist/poststructuralist theories regarding the subject, this book focuses on the lives of three women teachers and their narrative strategies to author themselves as active agents within and against the essentializing discourses of teaching. The text argues that the complex and contradictory ways in which these women construct themselves as subjects, while simultaneously disrupting the notion of a unitary subject, point to new ways of thinking about subjectivity, resistance, power and agency. The implications of this, alleged, reconceptualization for feminist theorizing, curriculum theory and life history research are woven throughout the book. |
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Page 55
Agnes's decision to stay single was by no means ' unusual ' . When I asked if she had been unusual in choosing not to marry , she said , No. Not in my time period . But , of course today would be very differ- ent , I mean most teachers ...
Agnes's decision to stay single was by no means ' unusual ' . When I asked if she had been unusual in choosing not to marry , she said , No. Not in my time period . But , of course today would be very differ- ent , I mean most teachers ...
Page 86
Her narratives help us better to understand the mean- ings that teachers give to their work , and thus enlarge our understandings of teacher culture , but also ask us to suspend taken - for - granted notions of agency , resistance ...
Her narratives help us better to understand the mean- ings that teachers give to their work , and thus enlarge our understandings of teacher culture , but also ask us to suspend taken - for - granted notions of agency , resistance ...
Page 105
I mean are you assuming you don't have a good reason for the position that you're taking ? ' I sensed two different understandings of the purpose of dialogue . Bonnie took seriously her commitments to personal values and if there were ...
I mean are you assuming you don't have a good reason for the position that you're taking ? ' I sensed two different understandings of the purpose of dialogue . Bonnie took seriously her commitments to personal values and if there were ...
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Table des matières
impossible fictions | 1 |
1 | 16 |
It is not what you teach but who you are | 43 |
Droits d'auteur | |
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active activist agency Agnes Agnes's Alice Temple authority believe bell hooks Bettina Aptheker body Bonnie's career central Chicago classroom Cleo Cleo's story collaborative College complex concepts conflicting construction contradictory critical critical theory cultural curriculum decision deferral despite discourse of professionalism discourse of teaching disrupt dominant gender dominant ideologies drifter embedded engaged enter teaching expectations experiences false consciousness femininity feminism feminist fiction focus form of resistance Foucault functions gender identity gender ideologies gender norms highlighted historians interpreted interviews lives maintain male marriage plot masculinist means Minh-ha moves into administration Munro narrative nature negotiation neo-Marxist notions oppression patriarchal political poststructuralism poststructuralist power relations progressivism reflected regulation rejection research process research relationship rewrite role self-representation sense social studies Stevenson High School struggle subject position subvert suggests teaching as women's theory things tion traditional understanding of resistance unitary University voice woman women teachers women's true profession