Subject to Fiction: Women Teachers' Life History Narratives and the Cultural Politics of ResistanceSituated within current feminist/poststructuralist theories regarding the subject, this book focuses on the lives of three women teachers and their narrative strategies to author themselves as active agents within and against the essentializing discourses of teaching. The text argues that the complex and contradictory ways in which these women construct themselves as subjects, while simultaneously disrupting the notion of a unitary subject, point to new ways of thinking about subjectivity, resistance, power and agency. The implications of this, alleged, reconceptualization for feminist theorizing, curriculum theory and life history research are woven throughout the book. |
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Page 13
suggests that we need to attend to the silences as well as what is said , that we need to attend to how the story is told as well as what is told or not told , and to attend to the tensions and contradictions rather than to succumb to ...
suggests that we need to attend to the silences as well as what is said , that we need to attend to how the story is told as well as what is told or not told , and to attend to the tensions and contradictions rather than to succumb to ...
Page 46
Still , her narrative allows her to construct her decision to enter teaching not as merely complying with domi- nant ideologies but as an active subject writing her own story . Agnes simul- taneously resists and appropriates hegemonic ...
Still , her narrative allows her to construct her decision to enter teaching not as merely complying with domi- nant ideologies but as an active subject writing her own story . Agnes simul- taneously resists and appropriates hegemonic ...
Page 132
In attempting to con- struct a truly feminist , collaborative text , I conceived of three essential ele- ments : my own self - reflexive account of the story ; the intersubjective creation of the story ; and the actual stories of the ...
In attempting to con- struct a truly feminist , collaborative text , I conceived of three essential ele- ments : my own self - reflexive account of the story ; the intersubjective creation of the story ; and the actual stories of the ...
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Table des matières
impossible fictions | 1 |
1 | 16 |
It is not what you teach but who you are | 43 |
Droits d'auteur | |
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active activist agency Agnes Agnes's Alice Temple authority believe bell hooks Bettina Aptheker body Bonnie's career central Chicago classroom Cleo Cleo's story collaborative College complex concepts conflicting construction contradictory critical critical theory cultural curriculum decision deferral despite discourse of professionalism discourse of teaching disrupt dominant gender dominant ideologies drifter embedded engaged enter teaching expectations experiences false consciousness femininity feminism feminist fiction focus form of resistance Foucault functions gender identity gender ideologies gender norms highlighted historians interpreted interviews lives maintain male marriage plot masculinist means Minh-ha moves into administration Munro narrative nature negotiation neo-Marxist notions oppression patriarchal political poststructuralism poststructuralist power relations progressivism reflected regulation rejection research process research relationship rewrite role self-representation sense social studies Stevenson High School struggle subject position subvert suggests teaching as women's theory things tion traditional understanding of resistance unitary University voice woman women teachers women's true profession