To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
À l'intérieur du livre
Résultats 1-3 sur 70
Page 144
Brown , Bibb , and Pennington do not subscribe to this romanticized , before - and - after scheme of psychological conversion of the self to heroism . They differ from Douglass in that throughout their autobiographical self - portraits ...
Brown , Bibb , and Pennington do not subscribe to this romanticized , before - and - after scheme of psychological conversion of the self to heroism . They differ from Douglass in that throughout their autobiographical self - portraits ...
Page 145
Brown interpreted Mrs. Price's purchase of Eliza , an apparently kindly act , as a “ trap laid ... to make me satisfied with my new home , by getting me a wife " ( 88 ) . A prospective fugitive's best hope for success lay in remaining ...
Brown interpreted Mrs. Price's purchase of Eliza , an apparently kindly act , as a “ trap laid ... to make me satisfied with my new home , by getting me a wife " ( 88 ) . A prospective fugitive's best hope for success lay in remaining ...
Page 149
Brown lets the antislavery moralist have the last word , “ but only after he has created interpretive dilemmas and elicited responses from his reader that the moralist will not be able to resolve or satisfy .
Brown lets the antislavery moralist have the last word , “ but only after he has created interpretive dilemmas and elicited responses from his reader that the moralist will not be able to resolve or satisfy .
Avis des internautes - Rédiger un commentaire
Les avis ne sont pas validés, mais Google recherche et supprime les faux contenus lorsqu'ils sont identifiés
To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
Table des matières
Voices of the First Fifty Years 17601810 | 32 |
Experiments in Two Modes 181040 | 61 |
Green Frederick Douglass and Harriet Jacobs | 205 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Expressions et termes fréquents
abolitionist action African Afro-American alien American antislavery appeared authority become Bibb black autobiography Bondage Boston Brown called century chapter Christian claim conventional criticism culture discourse discussion Douglass early edition England escape experience expression facts feel Frederick Douglass freedom freeman fugitive slave further genre Green hand Henry Henson ideal identity important Incidents individual institution Jacobs James John kind language letters Liberator liberty literary lives marginal master means metaphor mind mode moral narrator nature Negro North past play published question reader relationship resistance response rhetorical role seems sense significance slave narrative slavery Smith social society South speak speech spiritual status story structure things tion tradition true truth turn University Press Ward whipping woman women writing York young