To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865University of Illinois Press, 1 juin 1986 - 353 pages To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
À l'intérieur du livre
Résultats 1-3 sur 30
Page 205
... Green , Frederick Douglass , and Harriet Jacobs Perhaps it was the unique marginality manifested in his 1864 narrative that made Jacob D. Green a forgotten figure after the first century of Afro- American autobiography . Although at ...
... Green , Frederick Douglass , and Harriet Jacobs Perhaps it was the unique marginality manifested in his 1864 narrative that made Jacob D. Green a forgotten figure after the first century of Afro- American autobiography . Although at ...
Page 208
... Green , the slaves at the dance have come from all over the area on horseback , leaving approximately 100 animals appropriated from the stock of many unconsulted masters loosely tethered at the hitching fence . Green knows that all ...
... Green , the slaves at the dance have come from all over the area on horseback , leaving approximately 100 animals appropriated from the stock of many unconsulted masters loosely tethered at the hitching fence . Green knows that all ...
Page 211
... Green , and triumph seems almost an inevitable prelude to tragedy . Everyone , white as well as black , must dance to an often - violent rhythm of metamorpho- sis . Green's narrative tone remains remarkably equable ( another mani ...
... Green , and triumph seems almost an inevitable prelude to tragedy . Everyone , white as well as black , must dance to an often - violent rhythm of metamorpho- sis . Green's narrative tone remains remarkably equable ( another mani ...
Table des matières
Voices of the First Fifty Years 17601810 | 32 |
Experiments in Two Modes 181040 | 61 |
The Performance of Slave Narrative in the 1840s | 97 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Expressions et termes fréquents
abolitionism abolitionist African Afro-American autobiography alien American American Anti-slavery Society antebellum antislavery Auld authority become Bibb's biography black autobiography black narrator Bondage Boston century Christian colored confession conventional Covey culture dialogue discourse Douglass's Narrative early black autobiography edition editor England Equiano escape ex-slave experience facts female fiction Frederick Douglass freedom freeman Garrison Garrisonians genre Green Gronniosaw Harriet Harriet Jacobs Henry Bibb ideal Incidents Jacobs Jacobs's James jeremiad John John Marrant Josiah Henson kind Lane Liberator liberty liminal literary London marginal master metaphor mode moral Moses Roper myth narrator's Nat Turner Negro North past Pennington Picquet plantation rative relationship rhetorical role Roper sense significance slave narrative slaveholders slavery Smith social South southern speech acts story tion tradition trickster truth Turner Uncle Tom's Uncle Tom's Cabin University Press Ward whipping white reader William Wells Brown woman women words writing York