To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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Page 54
When asked what sort of “ liberty " he feels is denied him as an exhorter , he answers , “ Liberty to speak from a text . ” At this point a member of the committee who White thought was a friend informs him that “ it was the devil who ...
When asked what sort of “ liberty " he feels is denied him as an exhorter , he answers , “ Liberty to speak from a text . ” At this point a member of the committee who White thought was a friend informs him that “ it was the devil who ...
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Having such persons speak in their favor in their narratives , embedded in the recitation of the facts of their lives , let Grandy and Lane integrate into their stories “ objective " character endorsements from compelling sources .
Having such persons speak in their favor in their narratives , embedded in the recitation of the facts of their lives , let Grandy and Lane integrate into their stories “ objective " character endorsements from compelling sources .
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One could not address the reality of black experience and speak of it truly unless one could speak of it freely . The journey of black autobiography toward free telling first had to pass through the intervening consciousness of ...
One could not address the reality of black experience and speak of it truly unless one could speak of it freely . The journey of black autobiography toward free telling first had to pass through the intervening consciousness of ...
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
Table des matières
Voices of the First Fifty Years 17601810 | 32 |
Experiments in Two Modes 181040 | 61 |
Green Frederick Douglass and Harriet Jacobs | 205 |
Droits d'auteur | |
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abolitionist action African Afro-American alien American antislavery appeared authority become Bibb black autobiography Bondage Boston Brown called century chapter Christian claim conventional criticism culture discourse discussion Douglass early edition England escape experience expression facts feel Frederick Douglass freedom freeman fugitive slave further genre Green hand Henry Henson ideal identity important Incidents individual institution Jacobs James John kind language letters Liberator liberty literary lives marginal master means metaphor mind mode moral narrator nature Negro North past play published question reader relationship resistance response rhetorical role seems sense significance slave narrative slavery Smith social society South speak speech spiritual status story structure things tion tradition true truth turn University Press Ward whipping woman women writing York young