To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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Page 78
... structure , diction , and themes of the Life . The final injunction of his opening message “ To The Public ” is : “ Let any one imagine this ( his a betrayed liberty in Connecticut ) , and think what I 78 To Tell a Free Story.
... structure , diction , and themes of the Life . The final injunction of his opening message “ To The Public ” is : “ Let any one imagine this ( his a betrayed liberty in Connecticut ) , and think what I 78 To Tell a Free Story.
Page 175
The system of slavery , in the view of most slave narrators , demands that the bondsman be thought of and think of himself as an “ outsider , inhabiting a state permanently outside the social structure , ” yet regulated by it and ...
The system of slavery , in the view of most slave narrators , demands that the bondsman be thought of and think of himself as an “ outsider , inhabiting a state permanently outside the social structure , ” yet regulated by it and ...
Page 206
... community makes him or her a perpetual anomaly and ambiguity with no steady alliances to either side of the basic binary oppositions - order / disorder , creation / destruction , good / evil , life / death - that structure culture .
... community makes him or her a perpetual anomaly and ambiguity with no steady alliances to either side of the basic binary oppositions - order / disorder , creation / destruction , good / evil , life / death - that structure culture .
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
Table des matières
Voices of the First Fifty Years 17601810 | 32 |
Experiments in Two Modes 181040 | 61 |
Green Frederick Douglass and Harriet Jacobs | 205 |
Droits d'auteur | |
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