To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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Page 75
“ I sought more than ever to obtain true holiness before the great day of judgment should appear . ” Once he is " made perfect " under the tutelage of “ the Holy Ghost , ” bloody portents in the fields and forest make it “ plain to me ...
“ I sought more than ever to obtain true holiness before the great day of judgment should appear . ” Once he is " made perfect " under the tutelage of “ the Holy Ghost , ” bloody portents in the fields and forest make it “ plain to me ...
Page 262
... mask of true womanhood her resentments against God the Father for his having ordained that Mrs. Bruce “ keep me . ” Nevertheless all her protestations about " love , duty , and gratitude " do not conceal her lingering sense of ...
... mask of true womanhood her resentments against God the Father for his having ordained that Mrs. Bruce “ keep me . ” Nevertheless all her protestations about " love , duty , and gratitude " do not conceal her lingering sense of ...
Page 263
At the end of Incidents , she seems to straddle the opposition between true womanhood and that fallen - freed female other that beckons to her from the far side of her imagination . While paying lip service to the true woman self ...
At the end of Incidents , she seems to straddle the opposition between true womanhood and that fallen - freed female other that beckons to her from the far side of her imagination . While paying lip service to the true woman self ...
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
Table des matières
Voices of the First Fifty Years 17601810 | 32 |
Experiments in Two Modes 181040 | 61 |
Green Frederick Douglass and Harriet Jacobs | 205 |
Droits d'auteur | |
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abolitionist action African Afro-American alien American antislavery appeared authority become Bibb black autobiography Bondage Boston Brown called century chapter Christian claim conventional criticism culture discourse discussion Douglass early edition England escape experience expression facts feel Frederick Douglass freedom freeman fugitive slave further genre Green hand Henry Henson ideal identity important Incidents individual institution Jacobs James John kind language letters Liberator liberty literary lives marginal master means metaphor mind mode moral narrator nature Negro North past play published question reader relationship resistance response rhetorical role seems sense significance slave narrative slavery Smith social society South speak speech spiritual status story structure things tion tradition true truth turn University Press Ward whipping woman women writing York young