To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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Such narratives provide important insights into the kinds of freedom their writers hoped to enact for themselves through ... The problems of writing such autobiographical declarations of freedom and the meaning of success for narrative ...
Such narratives provide important insights into the kinds of freedom their writers hoped to enact for themselves through ... The problems of writing such autobiographical declarations of freedom and the meaning of success for narrative ...
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4 Writing autobiography involved Afro - Americans of the late eighteenth and early nineteenth centuries in yet another kind of journey , a search foris language through which the unknown within the self and the unspeakable within ...
4 Writing autobiography involved Afro - Americans of the late eighteenth and early nineteenth centuries in yet another kind of journey , a search foris language through which the unknown within the self and the unspeakable within ...
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Although Douglass's speaking and writing sometimes led to accusations of “ egotism ” and “ conceit , " ' radical abolitionists in the 1840s usually defended the ex - slave's temerity as unquestionable proof of their own arguments about ...
Although Douglass's speaking and writing sometimes led to accusations of “ egotism ” and “ conceit , " ' radical abolitionists in the 1840s usually defended the ex - slave's temerity as unquestionable proof of their own arguments about ...
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
Table des matières
Voices of the First Fifty Years 17601810 | 32 |
Experiments in Two Modes 181040 | 61 |
Green Frederick Douglass and Harriet Jacobs | 205 |
Droits d'auteur | |
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abolitionist action African Afro-American alien American antislavery appeared authority become Bibb black autobiography Bondage Boston Brown called century chapter Christian claim conventional criticism culture discourse discussion Douglass early edition England escape experience expression facts feel Frederick Douglass freedom freeman fugitive slave further genre Green hand Henry Henson ideal identity important Incidents individual institution Jacobs James John kind language letters Liberator liberty literary lives marginal master means metaphor mind mode moral narrator nature Negro North past play published question reader relationship resistance response rhetorical role seems sense significance slave narrative slavery Smith social society South speak speech spiritual status story structure things tion tradition true truth turn University Press Ward whipping woman women writing York young