Love and Theft : Blackface Minstrelsy and the American Working Class: Blackface Minstrelsy and the American Working ClassOxford University Press, USA, 28 oct. 1993 - 328 pages For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery. |
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Expressions et termes fréquents
abolitionism abolitionist Aiken ambiguity American culture antebellum antislavery argued Artisans audiences banjo Barnum black cultural practices black culture black male blackface acts blackface minstrelsy blackface performance blue tail fly Bowery burlesque character Christy Christy's Christy's Minstrels City conflicts contradictions Conway Conway's counterfeit cultural forms dance David Roediger Democratic discourse dramatic Eric Foner Ethiopian ethnic fantasy figure Folks at Home Free-Soil George History ideology instance interracial Irish Jim Crow jump Jim Crow labor mask minstrel performers minstrel show minstrel songs minstrelsy narrative Negro Minstrelsy nigger nineteenth-century northern novel Old Folks perhaps plantation play pleasure political Popular Culture production race racial feeling racist repetition representations Rice Rice's riots sentimental sexual show's slave social southern stage Stephen Foster Stowe Stowe's suggests Susanna T. D. Rice theater theatrical tion tradition Twain Uncle Tom's Cabin Virginia Minstrels wage slavery wench Wilentz William women workers workingmen York Zip Coon