African American Satire: The Sacredly Profane NovelUniversity of Missouri Press, 2001 - 226 pages "Satire's real purpose as a literary genre is to criticize through humor, irony, caricature, and parody, and ultimately to defy the status quo. In African American Satire, Darryl Dickson-Carr provides the first book-length study of African-American satire and the vital role it has played. In the process he investigates African American literature, American literature, and the history of satire." --Book Jacket. |
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Page vii
... Harlem Renaissance, 1900–1940 38 cHAptER 3 Channeling the Lower Frequencies African American Satire from World War II through the Postwar Era 82 cHAptER 4 “Nation Enough” Black Politics in the 1960s and the Advent of the Multicultural ...
... Harlem Renaissance, 1900–1940 38 cHAptER 3 Channeling the Lower Frequencies African American Satire from World War II through the Postwar Era 82 cHAptER 4 “Nation Enough” Black Politics in the 1960s and the Advent of the Multicultural ...
Page xiii
... Black No More: Being an Account of the Strange and Wonderful Workings of Science in the Land of the Free, A.D. 1933–1940, by George S. Schuyler B&W The Harlem Renaissance in Black and White,by George Hutchinson Contemporary Literary ...
... Black No More: Being an Account of the Strange and Wonderful Workings of Science in the Land of the Free, A.D. 1933–1940, by George S. Schuyler B&W The Harlem Renaissance in Black and White,by George Hutchinson Contemporary Literary ...
Page 10
... black satire have coincided with flowerings of African American fiction in general or, in the case of Langston ... Harlem Renaissance (ca. 1919-1940), then proceed to place the satirical novelists of the period, including Rudolph ...
... black satire have coincided with flowerings of African American fiction in general or, in the case of Langston ... Harlem Renaissance (ca. 1919-1940), then proceed to place the satirical novelists of the period, including Rudolph ...
Page 27
... Harlem Renaissance authors used, which was heavily influenced by the political and cultural satire of American ... Black Mencken" for both his style and wide-ranging commentary upon the American scene. If invective may best be described ...
... Harlem Renaissance authors used, which was heavily influenced by the political and cultural satire of American ... Black Mencken" for both his style and wide-ranging commentary upon the American scene. If invective may best be described ...
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African Amer African American communities African American culture African American literature African American satire Afro-American American politics American satirical novel argues authors Black Aesthetic Black Arts black culture black literature black satire chapter characters color contemporary context Cotillion critics critique cynical discourse discursive communities especially essay example fact fiction figures folklore frequently George Hal Bennett Harlem Renaissance Hughes’s humor ican identity ideological Infants intellectual Invisible Man's ironic irony Ishmael Reed italics Japanese by Spring Jazz Jes Grew LaBas Langston Hughes leaders literary Lumumba means Morrison Moses multicultural Mumbo Jumbo narrative narrator nationalist Negro Nigger Niggeratti obsession oppression parodies picaresque picaro position problem protagonist race racial racism Ralph Ellison Raymond Reed's rhetorical role scene Schuyler Semple sexual signifying Simple slavery social society stereotypes stories Toni Toni Morrison traditions trickster University W. E. B. Du Bois Wallace Thurman women writing York Zora Neale Hurston
Fréquemment cités
Page 44 - It is a peculiar sensation, this doubleconsciousness, this sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness,— an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
Page 106 - I'm gone I want you to keep up the good fight. I never told you, but our life is a war and I have been a traitor all my born days, a spy in the enemy's country ever since I give up my gun back in the Reconstruction. Live with your head in the lion's mouth. I want you to overcome 'em with yeses, undermine 'em with grins, agree 'em to death and destruction, let 'em swoller you till they vomit or bust wide open.
Page 198 - Black people will never gain full equality in this country. Even those herculean efforts we hail as successful will produce no more than temporary 'peaks of progress,' short-lived victories that slide into irrelevance as racial patterns adapt in ways that maintain white dominance.
Page 100 - One Cold February Day Dear Dr. Butts, I seen last week in the colored papers where you have writ an article for The New York Times in which you say America is the greatest country in the world for the Negro race and Democracy the greatest kind of government for all, but it would be better if there was equal education for colored folks in the South, and if everybody could vote, and if there were not Jim Crow in the army, also if the churches was not divided up into white churches and colored churches,...
Page 100 - I reckon maybe you come by it naturally, though, that being your name, dear Dr. Butts. I hear tell that you are a race leader, but I do not know who you lead because I have not heard tell of you before and I have not laid eyes on you. But if you are leading me, make me know it, because I do not read the New York Times very often, less I happen to pick up a copy blowing around in the subway, so I did not know you were my leader. But since you are my leader, lead on, and see if I will follow behind...
Page 101 - Hitler gassed the Jews. Mississippi is bad— but Russia is worse. Detroit slums are awful— but compared to the slums in India, Detroit's Paradise Valley is Paradise. Dear Dr. Butts, Hitler is dead. I don't live in Russia. India is across the Pacific Ocean. And I do not hope to see Paradise no time soon. I am nowhere near some of them foreign countries you are talking about being so bad. I am here! And you know as well as I do, Mississippi is hell. There ain't no but in the world can make it out...
Page 33 - joking relationship' is a relation between two persons in which one is by custom permitted, and in some instances required, to tease or make fun of the other, who in turn is required to take no offence.
Page 108 - Yes, suh" as loudly as any burr-head when it's convenient, but I'm still the king down here. I don't care how much it appears otherwise. Power doesn't have to show off. Power is confident, self-assuring, self-starting and self-stopping, selfwarming and self-justifying.
Page 35 - ... figures collects, stroking full stomachs, looking vacantly into space, nervously smiling at the great, proudly displaying jewels and figures, clinking moneybags, slyly fingering new-bought fashions. The scene is equally choked with things: ostentatious buildings and statuary, chariots, sedan-chairs, clothes, books, food, horses, dildoes, luxurious furnishings, gin bottles, wigs. Pick up any major satiric work and open it at random and the immediate effect is one of disorderly profusion. The sheer...