Carnivalizing Difference: Bakhtin and the OtherPeter I. Barta Psychology Press, 2001 - 265 pages It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term. Arising from a conference under the same title held at Texas Tech University, Carnivalizing Difference seeks to explore the actual and possible relationships between Bakhtinian theory and cultural practice. The introduction explores the changing configurations of our understanding of Bakhtin's work in the context of recent theory and outlines how that understanding can inform, and be informed by, culture both ancient and modern. Eleven articles, spanning a wide range of periods and cultural forms, then address these issues in detail, revealing the ways in which Bakhtinian thought illuminates, sometimes obfuscates, but always challenges. |
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Table des matières
Nancy Felson | 23 |
Novelistic Discourse in Aristophanes | 51 |
Victory without Defeat? Carnival Laughter and Its Appropriation | 79 |
Praise Poetry and the Novelization | 99 |
Bakhtinian Parody and Petronius Tale of | 119 |
The Otherness of History in Rabelais Carnival and Juvenals | 141 |
Carnivalizing the Feminine in Pirons La Puce | 165 |
Austin Clarkes The Sun Dances | 191 |
Bakhtin Willa Cather | 209 |
Bakhtin and the Practice of Travel | 225 |
Language in Spike Lees Do the Right Thing | 247 |
263 | |
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Expressions et termes fréquents
Acharnians Admetus Aeneas Aeneid Agnès Alcestis Ancient Studies Ántonia argue Aristophanes Aristophanic comedy Athenian audience Bakhtin and Ancient Bakhtinian Berrong carnival carnival laughter carnivalesque Cather's character Charles Platter chronotope classical Clytemnestra comic complex Congal context critical culture death Dialogues and Dialogics Dido discourse Emerson epic epinician essay Euripides father feminist film Gargantua Greek grotesque realism Heracles hero heteroglossia Holquist Homer husband I-for-another I-for-myself ideology images interaction Jason La Puce language literary literature Love Lyric Medea Menippean satire Mikhail Bakhtin monologic Morson narrative narrator Nemean Neoptolemus novel novelistic Odysseus official Orla parody Paul Allen Paul Allen Miller Petronius Pindar Piron Platter eds play poem poetry political praise Priam Puce Rabelais reading represents rococo role Russian satire Satyricon sexual social speech genres story tale Telephus tradition tragedy travel literature travel writing University Press value-center Vergil victory ode voices Widow of Ephesus women words