Radical Comedy in Early Modern England: Contexts, Cultures, PerformancesAshgate Publishing, Ltd., 2008 - 122 pages Drawing on the generic and mythic strength of comedy and the theories of Bakhtin, Bergson and Hobbes, this book identifies the radical nature of early modern English comedy. It argues that, through early modern comedy, one can observe the changes in social behavior and understandings characteristic of the Renaissance. |
Table des matières
The Performance of Mak in the Second | 11 |
A Plague of Storytelling in | 37 |
Toilet Tales and | 51 |
The Antonio Plays | 71 |
Ben Jonsons Supersized Comedy | 95 |
| 111 | |
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Expressions et termes fréquents
absurd action actor Alchemist Allwit amoral Antonio and Mellida Antonio plays Antonio's Revenge asserts audience authority Bakhtin Balurdo Barabas Barabas's Bartholomew Fair behavior Ben Jonson Carnival carnivalesque character Chaste Maid Cheapside classical comic hero complicated constantly contemporary contrived court critical cultural declares Dekker's distress drama early modern England early modern English effect Elizabethan English farce fool grotesque Gyll Harington hath heteroglossia histrionic humor improvisation interaction involved ironic irony Ithamore Jew of Malta joke Jonson's Jonson's comedy Kix's Lady Kix laugh laughter literally London ludicrous Maid in Cheapside Mak's Marlowe's Marston Metamorphosis of Ajax metaphor moral narrative numbers observes onstage outrageous Overdo overstated paradox parody performance physical Piero political possibilities professional wrestling Rabelais radical comedy radical comic represents reversal rhetoric ridiculous role satire scene Second Shepherds self-conscious sense social spiritual stage stories suggests theater theatrical titled toilets Touchwood villain voice Volpone Wonderfull Yellowhammer