To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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What could not be reported explicitly in Afro-American experience had to be explored indirectly through metaphor. As Afro-American autobiography evolved, the institution of slavery and the individuality of the slave received ...
What could not be reported explicitly in Afro-American experience had to be explored indirectly through metaphor. As Afro-American autobiography evolved, the institution of slavery and the individuality of the slave received ...
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There was a great risk of alienating white readers through the daring absurdities of radical metaphorical ... The metaphor-making of the classic slave narrators of the 1840s and 1850s participates in the movement toward organic, ...
There was a great risk of alienating white readers through the daring absurdities of radical metaphorical ... The metaphor-making of the classic slave narrators of the 1840s and 1850s participates in the movement toward organic, ...
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It spurred experimentation in narrative modes, metaphors of self, and arts of address that challenged other “perceptions of generic divisiveness” between history (fact), literature (fiction), and propaganda (argument).50 Current debates ...
It spurred experimentation in narrative modes, metaphors of self, and arts of address that challenged other “perceptions of generic divisiveness” between history (fact), literature (fiction), and propaganda (argument).50 Current debates ...
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
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abolitionist according action African Afro-American Afro-American autobiography alien American antislavery appeared authority become Bibb black autobiography Bondage Boston Brown called century chapter character Christian claim condition confession conventional criticism culture discourse discussion Douglass early edition England escape experience expression facts feel Frederick Douglass freedom freeman fugitive slave further genre Green hand Henry Henson ideal identity important Incidents individual institution Jacobs James John kind language letters Liberator liberty literary lives marginal master means metaphor mind mode moral narrator nature Negro North past play published question reader relationship resistance response rhetorical role seems sense significance slave narrative slavery Smith social society South speak speech spiritual status story structure tradition true truth turn Turner University Press Ward woman women writing York young