To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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... became a very public way of declaring oneself free, of redefining freedom and then assigning it to oneself in defiance of one's bonds to the past or to the social, political, and sometimes even the moral exigencies of the present.
... became a very public way of declaring oneself free, of redefining freedom and then assigning it to oneself in defiance of one's bonds to the past or to the social, political, and sometimes even the moral exigencies of the present.
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... moral values and literary expectations, this other tried to alienate the reader from these kinds of supports, thus disorienting but also freeing him or her to participate in a new kind of social and psychological agenda for the ...
... moral values and literary expectations, this other tried to alienate the reader from these kinds of supports, thus disorienting but also freeing him or her to participate in a new kind of social and psychological agenda for the ...
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... that they could not assume an equal relationship with the average white American reader, blacks set about writing life stories that would somehow prove that they qualified as the moral, spiritual, or intellectual peers of whites.
... that they could not assume an equal relationship with the average white American reader, blacks set about writing life stories that would somehow prove that they qualified as the moral, spiritual, or intellectual peers of whites.
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The misreading of these texts in Afro-American autobiography is much more than an act of cultural commentary or moral criticism. It is often a fundamental part of the act of literary and self-creation, of “revisionary replacements” of ...
The misreading of these texts in Afro-American autobiography is much more than an act of cultural commentary or moral criticism. It is often a fundamental part of the act of literary and self-creation, of “revisionary replacements” of ...
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... it is not the moral integrity of these editors that is at issue but the linguistic, structural, and tonal integrity of the narratives they produced. Even if an editor faithfully reproduced the facts of a black narrator's life, ...
... it is not the moral integrity of these editors that is at issue but the linguistic, structural, and tonal integrity of the narratives they produced. Even if an editor faithfully reproduced the facts of a black narrator's life, ...
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
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