Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
À l'intérieur du livre
Résultats 1-3 sur 37
Page 29
... American romance " made possible the sometimes safe and other times risky embrace of quite specific , understand- ably human , fears ” ( 36 ) . American romance made such more or less risky embraces possible by a kind of transference ...
... American romance " made possible the sometimes safe and other times risky embrace of quite specific , understand- ably human , fears ” ( 36 ) . American romance made such more or less risky embraces possible by a kind of transference ...
Page 34
... American cultural history related to those of American romance , realism , and especially American modernism . Ellison's novel models for its readers not only the unmaking of these blindnesses but also the possibility of their being ...
... American cultural history related to those of American romance , realism , and especially American modernism . Ellison's novel models for its readers not only the unmaking of these blindnesses but also the possibility of their being ...
Page 218
... American literature , 190-91 ; American romance and realism , 29–32 ; by characters , 28 ; Eliot's , of Huckleberry Finn , 145 ; Ellison's , of The Waste Land , 102 ; frustration of , Huckleberry Finn , 22–26 ; and second - person ...
... American literature , 190-91 ; American romance and realism , 29–32 ; by characters , 28 ; Eliot's , of Huckleberry Finn , 145 ; Ellison's , of The Waste Land , 102 ; frustration of , Huckleberry Finn , 22–26 ; and second - person ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |