Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
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Page 113
... invisible man , ” but this is followed immediately by an implicitly second- person correction of what he assumes ... invisible , understand , simply because people refuse to see me . . . . 113 INVISIBILITY AND BLINDNESS in ELLISON'S ...
... invisible man , ” but this is followed immediately by an implicitly second- person correction of what he assumes ... invisible , understand , simply because people refuse to see me . . . . 113 INVISIBILITY AND BLINDNESS in ELLISON'S ...
Page 120
... invisible tra- dition that has developed its own sense of " what it took to live in the world with others " ( 574 ) , just as that invisible tradition has itself had to learn about the " peculiar disposition of the eyes " that has made ...
... invisible tra- dition that has developed its own sense of " what it took to live in the world with others " ( 574 ) , just as that invisible tradition has itself had to learn about the " peculiar disposition of the eyes " that has made ...
Page 121
... invisible without it , but coming out nevertheless ” ( 581 ) . That is , the conventionally aes- thetic , novelistic , narrative resolution has not resolved his social invisibility in any final way . Yet his narrative has developed the ...
... invisible without it , but coming out nevertheless ” ( 581 ) . That is , the conventionally aes- thetic , novelistic , narrative resolution has not resolved his social invisibility in any final way . Yet his narrative has developed the ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
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The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |