Learning from Difference: Teaching Morrison, Twain, Ellison, and Eliot |
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Page 62
By recognizing his shame and indirectly communicating that recognition , Sethe here helps him to understand and feel the ten- derness and love that his own divided language of manhood and beastliness , like Twain's , almost cannot speak ...
By recognizing his shame and indirectly communicating that recognition , Sethe here helps him to understand and feel the ten- derness and love that his own divided language of manhood and beastliness , like Twain's , almost cannot speak ...
Page 132
Norton here speaks the language of escapist American romance in its idealization of the feminine , especially in landscape , as " compliant and supportive , " with " the attri- butes simultaneously of a virginal bride and a non ...
Norton here speaks the language of escapist American romance in its idealization of the feminine , especially in landscape , as " compliant and supportive , " with " the attri- butes simultaneously of a virginal bride and a non ...
Page 182
But the suggestion here is that the poem has made no such invocation , as if it has only allowed the Grail legend to speak for itself . " In this decayed hole among the mountains , " somehow " the grass is singing " around this " empty ...
But the suggestion here is that the poem has made no such invocation , as if it has only allowed the Grail legend to speak for itself . " In this decayed hole among the mountains , " somehow " the grass is singing " around this " empty ...
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Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
African American American culture American literature articulate attempt attention become begins Beloved blindness calls canonical challenge characters critical cross-cultural dead death Denver describes difference discourse dominant effect Eliot's Eliot's poem Ellison's encounters escape especially example expect experience face familiar fear feel figure Finn focus freedom hand Huck Huck's Huckleberry idea ideals identity imagine importance individual interaction invisible ironic Jim's kind language least less limits lines literary live look loss means memories moral Morrison's mother narrator nature novel offers perhaps plans poem political position possible potential promise questions readers reading recognize relationship represented responsibility rhetorical risk romance says seems sense Sethe Sethe's slave social society story suggests tends tions Tiresias tradition transference transforming Twain's Twain's novel understand vision Waste Land writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |