Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 pages |
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Page 85
... turn Jim in . The entire episode also comes just after the mock heroics of the Raftsmen's Passage ( where Huck tells another lie representing himself as the dead victim of another murderous parent ) and after Huck's intense confusion in ...
... turn Jim in . The entire episode also comes just after the mock heroics of the Raftsmen's Passage ( where Huck tells another lie representing himself as the dead victim of another murderous parent ) and after Huck's intense confusion in ...
Page 115
... turns to a more phantasmagoric series of images in his reefer- induced dream - vision of Louis Armstrong's music . But if ... turn to his narrative to explain differently and at greater length instead . It is what he discovers as " a new ...
... turns to a more phantasmagoric series of images in his reefer- induced dream - vision of Louis Armstrong's music . But if ... turn to his narrative to explain differently and at greater length instead . It is what he discovers as " a new ...
Page 150
... turn again to the spiritual— “ looking into the heart of light , the silence ” ( 41 ) — they also evoke the title of Conrad's novel of colonialism , Heart of Darkness . Conrad's novel is the source of Eliot's original epi- graph , with ...
... turn again to the spiritual— “ looking into the heart of light , the silence ” ( 41 ) — they also evoke the title of Conrad's novel of colonialism , Heart of Darkness . Conrad's novel is the source of Eliot's original epi- graph , with ...
Table des matières
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Droits d'auteur | |
4 autres sections non affichées
Expressions et termes fréquents
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Références à ce livre
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Aucun aperçu disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Affichage d'extraits - 2002 |