To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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Page 98
Beside those " who have sufficient force of mind and heart to enable them to struggle up from hopeless bondage , " the " ordinary characters " of liter- ature seemed “ dull and tame . ” There was something epic about the ca- reers of ...
Beside those " who have sufficient force of mind and heart to enable them to struggle up from hopeless bondage , " the " ordinary characters " of liter- ature seemed “ dull and tame . ” There was something epic about the ca- reers of ...
Page 180
Reviewers in Putnam's and the Lon- don Times insisted that Uncle Tom's Cabin was singular in its delineation of character and its " scope of observation " of southern American life . The London Times reviewer found much to doubt and ...
Reviewers in Putnam's and the Lon- don Times insisted that Uncle Tom's Cabin was singular in its delineation of character and its " scope of observation " of southern American life . The London Times reviewer found much to doubt and ...
Page 196
Before Afro - Americans could assume this status as the moral lead- ers of the republic , however , some explanation had to be advanced as to why , as yet , blacks had failed “ to manifest force of character equal to the whites .
Before Afro - Americans could assume this status as the moral lead- ers of the republic , however , some explanation had to be advanced as to why , as yet , blacks had failed “ to manifest force of character equal to the whites .
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
Table des matières
Voices of the First Fifty Years 17601810 | 32 |
Experiments in Two Modes 181040 | 61 |
The Performance of Slave Narrative in the 1840s | 97 |
Droits d'auteur | |
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abolitionism abolitionist African Afro-American autobiography alien American American Anti-slavery Society antebellum antislavery Auld authority become Bibb's biography black autobiography black narrator Bondage Boston century Christian colored confession conventional Covey culture dialogue discourse Douglass's Narrative early black autobiography edition editor England Equiano escape ex-slave experience facts female fiction Frederick Douglass freedom freeman Garrison Garrisonians genre Green Gronniosaw Harriet Harriet Jacobs Henry Bibb ideal Incidents Jacobs Jacobs's James jeremiad John John Marrant Josiah Henson kind Lane Liberator liberty liminal literary London marginal master metaphor mode moral Moses Roper myth narrator's Nat Turner Negro North past Pennington Picquet plantation rative relationship rhetorical role Roper sense significance slave narrative slaveholders slavery Smith social South southern speech acts story tion tradition trickster truth Turner Uncle Tom's Uncle Tom's Cabin University Press Ward whipping white reader William Wells Brown woman women words writing York