To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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Page 10
Consequently I despair in finding language to express adequately the deep feelings of my soul , as I contemplate the past history of my life . ” The despair of autobiographers like Bibb manifests itself in literary silences similar to ...
Consequently I despair in finding language to express adequately the deep feelings of my soul , as I contemplate the past history of my life . ” The despair of autobiographers like Bibb manifests itself in literary silences similar to ...
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The mode also served to enclose the new autobiographical form within a world circumscribed by language used in a deliberately restricted , univocal way , in a one - to - one relationship of signs to facts . Facts were that which was ...
The mode also served to enclose the new autobiographical form within a world circumscribed by language used in a deliberately restricted , univocal way , in a one - to - one relationship of signs to facts . Facts were that which was ...
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... the appropriation of language for purposes of signification outside that which was privileged by the dominant culture . By 1865 the leading writers in the tradition had sounded the resources of language to evoke both an external and ...
... the appropriation of language for purposes of signification outside that which was privileged by the dominant culture . By 1865 the leading writers in the tradition had sounded the resources of language to evoke both an external and ...
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
Table des matières
Voices of the First Fifty Years 17601810 | 32 |
Experiments in Two Modes 181040 | 61 |
Green Frederick Douglass and Harriet Jacobs | 205 |
Droits d'auteur | |
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abolitionist action African Afro-American alien American antislavery appeared authority become Bibb black autobiography Bondage Boston Brown called century chapter Christian claim conventional criticism culture discourse discussion Douglass early edition England escape experience expression facts feel Frederick Douglass freedom freeman fugitive slave further genre Green hand Henry Henson ideal identity important Incidents individual institution Jacobs James John kind language letters Liberator liberty literary lives marginal master means metaphor mind mode moral narrator nature Negro North past play published question reader relationship resistance response rhetorical role seems sense significance slave narrative slavery Smith social society South speak speech spiritual status story structure things tion tradition true truth turn University Press Ward whipping woman women writing York young