To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach. |
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Page 208
He is able to borrow enough pins to hold the pants together and join the dancing , but during one flashy turn with one of “ the pretty yellow and Sambo gals , ” his breeches give way and his shirt tail falls out .
He is able to borrow enough pins to hold the pants together and join the dancing , but during one flashy turn with one of “ the pretty yellow and Sambo gals , ” his breeches give way and his shirt tail falls out .
Page 228
21 Douglass gladly embraces this characterization of himself as a devil at the climax of his slave career because it gives him a basis on which to do some devilish turning of metaphors and meanings without which he cannot have a ...
21 Douglass gladly embraces this characterization of himself as a devil at the climax of his slave career because it gives him a basis on which to do some devilish turning of metaphors and meanings without which he cannot have a ...
Page 231
When he turns the savior inside - out to eveal the devil to us , he becomes another manifestation of the trickster , 28 refusing to identify himself wholly or finally with either the insider or outsider but only with the freedom to move ...
When he turns the savior inside - out to eveal the devil to us , he becomes another manifestation of the trickster , 28 refusing to identify himself wholly or finally with either the insider or outsider but only with the freedom to move ...
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To tell a free story: the first century of Afro-American autobiography, 1769-1865
Avis d'utilisateur - Not Available - Book VerdictAndrews describes and analyzes many autobiographies here, but his primary focus is on "slave narratives'' by Frederick Douglass, Harriet Jacobs (a.k.a. Linda Brent), and J. D. Green. He convincingly ... Consulter l'avis complet
Table des matières
Voices of the First Fifty Years 17601810 | 32 |
Experiments in Two Modes 181040 | 61 |
Green Frederick Douglass and Harriet Jacobs | 205 |
Droits d'auteur | |
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abolitionist action African Afro-American alien American antislavery appeared authority become Bibb black autobiography Bondage Boston Brown called century chapter Christian claim conventional criticism culture discourse discussion Douglass early edition England escape experience expression facts feel Frederick Douglass freedom freeman fugitive slave further genre Green hand Henry Henson ideal identity important Incidents individual institution Jacobs James John kind language letters Liberator liberty literary lives marginal master means metaphor mind mode moral narrator nature Negro North past play published question reader relationship resistance response rhetorical role seems sense significance slave narrative slavery Smith social society South speak speech spiritual status story structure things tion tradition true truth turn University Press Ward whipping woman women writing York young