Romantic Poems, Poets, and NarratorsKent State University Press, 2000 - 203 pages Romantic Poems, Poets, and Narrators will be valuable to specialists not only in romantic period studies but in literary theory and poetics as well. Students of Blake, Coleridge, Wordsworth, and Keats will appreciate these refreshingly subtle, tactful, and convincing new readings of the major romantic poems. The book is a scholarly and engaging guide to the various and complex discourses--formalist, psychoanalytic, deconstructive, new historicist--that have provided the terms in which these poems have been and currently are received. |
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Page 3
... arguments that such limits reflect only the poets ' lack of understanding - of history , of language , of subjectivity . Here my argument corroborates similar ones made by David Simpson and Susan Wolfson , among others , that the ...
... arguments that such limits reflect only the poets ' lack of understanding - of history , of language , of subjectivity . Here my argument corroborates similar ones made by David Simpson and Susan Wolfson , among others , that the ...
Page 4
... argument , with an emphasis here on the poetic texts . Chapter I looks at Blake's " Introduction " to the Songs of Experience in terms of its relation to Old and New Testament allusions and to its readers . The poem is both intertextual ...
... argument , with an emphasis here on the poetic texts . Chapter I looks at Blake's " Introduction " to the Songs of Experience in terms of its relation to Old and New Testament allusions and to its readers . The poem is both intertextual ...
Page 5
... argument is that Coleridge understands better than his protagonist , and finally that Coleridge recognizes limits to understanding that such readings mistakenly believe they can ignore or transcend . At the same time , a careful study ...
... argument is that Coleridge understands better than his protagonist , and finally that Coleridge recognizes limits to understanding that such readings mistakenly believe they can ignore or transcend . At the same time , a careful study ...
Page 8
... argument will be that the Romantic poets can represent claims about the nature of world and self that imply a bardic or transcendent position while recognizing that their de- sire for such transcendence is itself not transcendent but ...
... argument will be that the Romantic poets can represent claims about the nature of world and self that imply a bardic or transcendent position while recognizing that their de- sire for such transcendence is itself not transcendent but ...
Page 10
... argument as an attack against " biographical explanations , " which he equates with " the biographical mode of obtaining unity " that is both " too deep because it makes the error of referring the poems back to a ground that is ...
... argument as an attack against " biographical explanations , " which he equates with " the biographical mode of obtaining unity " that is both " too deep because it makes the error of referring the poems back to a ground that is ...
Table des matières
Introduction to the Songs of Experience The Infection of Time | 12 |
The Rime of the Ancient Mariner Distinguishing the Certain from the Uncertain | 34 |
The Prelude Still Something to Pursue | 65 |
The Intimations Ode An Infinite Complexity | 88 |
Lamia Attitude Is Every Thing | 110 |
Conclusion | 137 |
Notes | 153 |
185 | |
199 | |
Expressions et termes fréquents
aesthetic ambiguity Ancient Mariner Apollonius argues argument awareness Bailey Bard Bard's believe Blake Bloom characterizes claim coherence Coleridge Coleridge's complex consciousness context critical cultural Dacier deconstructive desire discourse dream eighteenth-century emphasis added ence episode example fantasy formalist genre gloss glossator historicism historicist human imagination implies intention interpretation Intimations Ode John Keats Keats Keats's Lacan Lamia language latent content least limits literary Lycius lyric Lyrical Ballads Mariner's experience mastery McGann meaning metaphoric mind moral narrative narrator narrator's nature Neoplatonic Oxford philosophical Platonic Platonic shades poem poem's poet's poetic poetry Prelude primary process problem prophetic psychic psychoanalytic Reader-Response Criticism readers reflect relation rhetoric Rime Romantic poets Romanticism seems self-consciousness sense Simplon Pass Songs of Experience speaker stanzas sublime suggests textual theory Tintern Abbey tion transcendent truth understanding vision Warren William Blake William Wordsworth words Wordsworth York