Paying the Piper: Causes and Consequences of Art PatronageJudith H. Balfe University of Illinois Press, 1993 - 336 pages |
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Table des matières
Direct Patronage by Private Individuals | 7 |
The Social Basis of Beethovens Style | 9 |
Dilettantism and Academies of Art The Netherlands Example | 30 |
Literary Agents and Literary Traditions The Role of the Philistine | 54 |
Direct Patronage by Private Institutions | 73 |
The Indian Arts Fund and the Patronage of Native American Arts | 76 |
Playing Workers Proletarian Drama in the Curriculum | 94 |
Friends of Individual Patronage through Arts Institutions | 119 |
Direct Patronage by State Institutions | 207 |
State Patronage in the German Democratic Republic Artistic and Political Change in a State Socialist Society | 209 |
Remaking Nations Public Culture and Postcolonial Discourse | 234 |
Indirect Patronage by State Institutions | 251 |
The Politicization of PeerRe view Panels at the NEA | 254 |
The Battle for Classical Music on the Air | 271 |
The Arts and Culture under the European Community | 287 |
Art Patronage Perennial Problems Current Complications | 306 |
Indirect Patronage by City Institutions | 135 |
New York City Department of Cultural Affairs Art as Municipal Service | 137 |
Gentrification and the AvantGarde in New Yorks East Village | 161 |
Impolitic Art and Uncivil Actions Controversies in the Public Sphere | 183 |
Contributors | 325 |
327 | |
Autres éditions - Tout afficher
Paying the Piper: Causes and Consequences of Art Patronage Judith H. Balfe Affichage d'extraits - 1993 |
Expressions et termes fréquents
ABC No Rio academy aesthetic agency American aristocratic art patronage art world artists artworks audience authors Balfe became become Beethoven's bourgeois budget century Chicago classical music commercial commission contemporary controversy Council critical Cultural Affairs cultural institutions cultural policy DCA's Department of Cultural dilettante East Village economic elite elitist endowment established European exhibition forms Friends galleries gentrification groups important increased Indian Arts Fund individual interest involved Joseph Conrad labor colleges labor drama listeners literary agents Lower East Side Mayor Mexico museums Native Americans new-age official organizations painting panels patrons percent Pinker play political Press production professional programs proletarian drama public art public culture public radio publishers Pueblo pottery role Santa Fe single European market social society stations structure style taste theater tion traditional union University Village Voice workers York City